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etchings in the yale center for british artyale center for british arthand-coloredisaac cruikshankjames gillrayrichard newtonpaperpencharles hamilton smithlaid paper
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Patience on a Monument, James Gillray, 1791
etchings in the yale center for british artjames gillray
A Visit to the R---l Cole Pit, Richard Newton, 1791
etchings in the yale center for british artrichard newton
The Misers Economy, Richard Newton, 1794
etchings in the yale center for british artrichard newton
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Dartmouth Cove, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Prelude to Crim Con and The Finale, Richard Newton, 1793
etchings in the yale center for british artrichard newton
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
A Blow-up at Breakfast, Richard Newton, 1792
etchings in the yale center for british artrichard newton
La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
etchings in the yale center for british artjames gillray
An Astonishing Paragraph, Richard Newton, 1791
etchings in the yale center for british artrichard newton
A Flight of Parsons, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
Beheading (untitled), Richard Newton, 1796
etchings in the yale center for british artrichard newton
The Republican - Hercules Defending His Country, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797
etchings in the yale center for british artjames gillray
Hint to Modern Sculptors, as an Ornament to a Future Square ---, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Delegates in Council or Beggars on Horseback, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1797
etchings in the yale center for british artrichard newton
The Birth of Billy Bugaboo, Richard Newton, 1793
etchings in the yale center for british artrichard newton
Half Seas Over, Alias the Hopes of the Family, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Pleasure of Being Kick'd Out of Company, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Opening the Ambassadors Ball in Paris, Richard Newton, 1794
etchings in the yale center for british artrichard newton
What a Cur ' tis, James Gillray, 1795
etchings in the yale center for british artjames gillray
The South-West View of Battel-Abbey, in the County of Sussex, Samuel Buck, 1737
etchings in the yale center for british artsamuel buck
A Visit to the Grandfather, How Do Grand Pa?, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---, James Gillray, 1789
etchings in the yale center for british artjames gillray
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
General Buonaparte, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
And The' - Tisick, - The Colic, Punch Cures The Gout, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Triumphant Britons, James Gillray, 1780
etchings in the yale center for british artjames gillray
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone, George Barret, Sr.
etchings in the yale center for british artgeorge barret, sr.
Entrance to Fowey Harbour, Cornwall, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
A General Fast in Consequence of the War!!!, Isaac Cruikshank, possibly 1794
etchings in the yale center for british artisaac cruikshank
A Ward of Chancery, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Hopes of the Family in the Road to Preferment, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
Summer Amusement at Farmer G-----'s Near Windsor, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Saint Catharine and St. George, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Little Farthing Rush Light, Isaac Cruikshank, circa 1792
etchings in the yale center for british artisaac cruikshank
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill, James Gillray, 1791
etchings in the yale center for british artjames gillray
Bouvignes and Dinant, George Arnald, 1822
etchings in the yale center for british artrealism
Essay on Duelling - Anglice Doing = Him!, Samuel Collings, 1789
etchings in the yale center for british artsamuel collings
Plunderer Beating Duplicity - or - Amusements at Cairo, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
A Hackney Meeting, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Landscape with Cattle, Richard Earlom, 1775
etchings in the yale center for british artrichard earlom
Queen Catherine's Dream, Richard Newton, 1794
etchings in the yale center for british artrichard newton
The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Watchman of the State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Ferry Inn, Robert Walker Macbeth, 1881
etchings in the yale center for british artrobert walker macbeth
Royal Recreation, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799
etchings in the yale center for british artjohn cawse
London Wall, Cripplegate Postern, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
Caliban, from The Tempest, John Hamilton Mortimer, 1775
etchings in the yale center for british artjohn hamilton mortimer
A Spy!!! Or the Blessings of a Convention Bill, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The R't Hon'ble Catch Singers, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Siphon's or Tale of a Tub, James Gillray, 1783
etchings in the yale center for british artjames gillray
A Serious Thought of a Plain Englishman, in 1793, Richard Newton
etchings in the yale center for british artrichard newton
Richmond, Yorkshire, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Bachelor's Hall, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Duelist's or Sunday's Amusement, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
A Stroke at the Plenipo or Mary's Mistake, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Gloria Mundi, or The Devil Addressing the Sun, James Gillray, circa 1782
etchings in the yale center for british artjames gillray
London Wall, St. Martin's Court, Ludgate Hill, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
A Lesson for Princes, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Funeral Procession of Miss Regency, James Gillray, 1789
etchings in the yale center for british artjames gillray
Divertions of Purley, Or Opposition Attending Their Private Affairs, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray
etchings in the yale center for british artjames gillray
Independence, James Gillray, 1799
etchings in the yale center for british artjames gillray
Autumn, Robert Walker Macbeth, 1865
etchings in the yale center for british artrobert walker macbeth
Crops Going to Quod, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Strong Symptoms of Loyalty, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Tynemouth, Northumberland, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Apotheosis of Hoche, James Gillray, 1798
etchings in the yale center for british artjames gillray
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, James Gillray, 1791
etchings in the yale center for british artjames gillray
A New Irish Jaunting Carr. The Tandem - or Billy in HIs Sulky, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Plan of Mud Island, off the Kingdom of Corsica, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Bless Thee Bottom, Bless Thee-Thou Art Translated, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Ca Ira - or John Bull studying the Graces!!---, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The False Alarm, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Duel - or Charley Longing For a Pop, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Valle Crucis Abbey, Denbighshire, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
Smuggling - Corn from Egypt!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
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